Dead Air

There's no question that the anticipation for each successive Iain Banks novel grows ever greater, and Dead Air is a literary event. The sardonic, inventive prose guarantees a unique reading experience with each new book (the misfires may be counted on one hand), and whatever genre he tackles, Banks is one of the most stimulating writers at work in Britain today. His protagonist here is Ken Nott, a character as penetratingly realised as ever. He's a committed contrarian, ekeing out a living as a left-wing radio shock-jock in London. He makes his home in a loft apartment in the East End, in a former factory due to be demolished in a few days. After a wedding breakfast, people begin to pitch fruit from a balcony on to a deserted car park 10 storeys below; then they begin dispatching other things: a broken TV, a loudspeaker with a ruptured cone, bean bags and other useless furniture. Then the guests enter a kind of frenzy and start dropping things that are still working, at the same time trashing the rest of the apartment. But suddenly mobile phones start to ring urgently and they're told to turn on the TV, because a plane has just crashed into the World Trade Center. And Ken Nott finds his life is to change irrevocably.