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Public Faces and Private Identities in Seventeenth-Century Holland

Portraiture and the Production of Community
Auteur Ann Jensen Adams
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Public Faces and Private Identities in Seventeenth-Century Holland
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Public Faces and Private Identities in Seventeenth-Century Holland
Public Faces and Private Identities in Seventeenth-Century Holland
Beetje gebruikt
42,75
10000288486
ISBN
9781107698031
Bindwijze
Paperback
Taal
Engels
Auteur
Ann Jensen Adams
Uitgeverij
Cambridge University Press
Jaar van uitgifte
2013
Aantal pagina's
411

Waar gaat het over?

During the seventeenth century, Dutch portraits were actively commissioned by corporate groups and by individuals from a range of economic and social classes. They became among the most important genres of painting. Not merely mimetic representations of their subjects, many of these works create a new dialogic relationship with the viewer. Ann Jensen Adams examines four portrait genres - individuals, the family, history portraits, and civic guards. She analyzes these works in relation to inherited visual traditions, contemporary art theory, changing cultural beliefs about the body, about sight, and the image itself, as well as to current events. Adams argues that as individuals became unmoored from traditional sources of identity, such as familial lineage, birthplace, and social class, portraits helped them to find security in a self-aware subjectivity and the new social structures that made possible the 'economic miracle' that has come to be known as the Dutch Golden Age.
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