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  • Gratis verzending vanaf 4 boeken of 40 euro
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Bells for America

The Cold War, Modernism, and the Netherlands Carillon in Arlington
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  • 30 dagen retourgarantie 
  • Gratis verzending vanaf 4 boeken of 40 euro
  • Alle boeken met zorg gecontroleerd
  • Voor 15:00u besteld, dezelfde dag verzonden
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Bells for America
Bells for America
Beetje gebruikt
15,40
630600169
component.product.quantitySelect.legend
ISBN
9780271083773
Bindwijze
Hardcover
Taal
Engels
Uitgeverij
Pennsylvania State University Press
Jaar van uitgifte
2019
Aantal pagina's
256

Waar gaat het over?

Recounts the history of the Netherlands Carillon, given to the United States in the 1950s by the Dutch government, and explores its paradoxical placement in the American memorial landscape. The Netherlands Carillon stands out in the American memorial landscape. Situated between Arlington National Cemetery and the Marine Corps War Memorial, the modernist design of this 127-foot steel bell tower is strangely at odds with its surroundings, much in the same way that its prominent place is at odds with its absence in American memory. In this book, Diederik Oostdijk reveals the intriguing history of this major monument hidden in plain sight. Given to the United States in the 1950s by the Dutch government as a gesture of gratitude for America’s role in the Dutch liberation during World War II and for the Marshall Plan aid that helped rebuild the Dutch economy, the carillon owes its conspicuous placement to the Cold War. Oostdijk traces the history of this monument, from its creation and the pageantry surrounding its presentation through its fall into disrepair and plans for its renewal. In so doing, he resolves the paradox of the carillon’s placement in Arlington and unearths a fascinating and compelling story of diplomacy and humanity. Interweaving art history, campanology, landscape architecture, literature, musicology, and diplomatic history, Bells for America recounts how the Netherlands and the United States reconstructed their national identities and fostered an international relationship in the postwar era through public art.
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