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Anita & Me

Maak tweedehands je eerste keus
  • Tot en met 29 september 4=3 op alles
  • Alle boeken zijn met de hand gecontroleerd
  • 30 dagen retourgarantie 
  • Gratis verzending vanaf 4 boeken of 40 euro
  • Op werkdagen voor 15:00 besteld, dezelfde dag verzonden
4=3 actie
Sorry, niet op voorraad
ISBN
9780006548768
Bindwijze
Paperback
Taal
Engels
Uitgeverij
Flamingo
Jaar van uitgifte
1997
Aantal pagina’s
328

Waar gaat het over?

The debut novel from the award-winning screenwriter of Bhaji on the Beach. The story of nine-year-old Meena, growing up in the only Punjabi family in the Black Country mining village of Tollington. Like every nine-year-old girl, Meena can’t wait to grow up and break free from her parents, but as the daughter of the only Punjabi family in the mining village of Tollington, her daily struggle for independence is different from most. She wants fishfingers and chips, not just chapati and dhal; she wants an English Christmas, not the usual interminable Punjabi festivities – but more than anything, more than mini-skirts and the freedom to watch 'Opportunity Knocks', Meena wants to roam the backyards of working-class Tollington with feisty Anita Rutter and her gang. Written with great warmth and fun and just a hint of wistfulness, 'Anita and Me' is a unique vision of a British childhood in the Sixties, a childhood caught between two cultures, each on the brink of change. “A marvellous crash course in Asian/Brummie culture. Funny, moving and packed full of wonderful surprises.” ESTHER FREUD, author of 'Hideous Kinky' “God knows there have been enough memoirs of growing up in the Sixties, but Syal’s account has a welcome freshness of perspective. She smartly catches the strangeness and violence of childhood, and skilfully evokes an almost vanished kind of rural working-class life. A promising debut.” GQ “The crucial ingredient is Meena’s relationship with Anita Rutter, local lewd flower, skinny of hip, vicious of nature and owner of a dog called Nigger. Best-friend-best-enemy stories have been done before, but this is a beautifully specific portrait.” CHARLOTTE O’SULLIVAN, 'Observer'
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